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My Social Media Playground

I’ve just signed up for a 30-day social media challenge for authors. And through the initial discussions it has occurred to me that social media can be very much likened to a playground (particularly by me – as I write children’s books, it’s a totally fitting analogy!)

So there’s:

 

The slide– You climb to the top, only to slide back down to the bottom, before starting your climb again. If you are not making a constant effort you get no-where, and even when you give it a huge push, you always end up right back at the beginning. For me, this is Instagram.

 

 

The Roundabout – Need I explain? You’re going round in circles. You’re not sure what you’re doing. You have momentum, but you’re not really sure you’re achieving anything at all. This is most likely linkedin in my world.

 

The Swings – Look at me! Look at me! Look how high I am. You can build momentum and keep it there, so long as you keep on swinging those little legs. Facebook!

The Fying Fox – We all love the flying fox right? Well the bit as we’re zipping along at breakneck speed, wind through our hair, huge cheesy grin on our faces. But then we hit the end, DOINK! And we have to get off, and run the thing all the way up the hill back to the beginning. This is Twitter, you have moments of fabulous engagement, you’re flying. Then DOINK! You run out of momentum and have to work you’re ass off to build it up again. But how much fun is the ride?!

The Phones – You know, the talky funnels. You think of something important to say and then in your biggest boldest voice you announce it into the funnel. Only to be heard, or miss-heard by the one person at the other end, who just happens to have their ear to the other funnel (your mum?). The Blog!

 

 

The Spinny Things– These I fear! I have been green in the past – I’m not being green again. They’re my no go zone. In social media, this is snap chat and pinterest. I’m not saying they’re not awesome for some people. It’s just I don’t have the stomach, especially not when I’ve already exhausted myself on all the other equipment.

 

But it’s all good fun. It’s all playing, right? Important not to take it too seriously, but maybe there are techniques to making each ride easier and more fun. And at the end of the day we all need friends at the park, if we don’t take them with us, we can make them there, and there’s lots of fun in that!!

For those interested the challenge is being run by Michelle Worthington, you can find it on facebook https://www.facebook.com/groups/socialmediaforcreativebusinesses/?multi_permalinks=297067150819636%2C294818521044499&notif_id=1517826002446951&notif_t=group_activity&ref=notif

If you’d like to come play with me in the playground, you can find me here:

Blog: https://shellyunwin.com

Facebook: https://www.facebook.com/search/top/?q=shelly%20unwin%20author%20page

Insta: https://www.instagram.com/shellyunwin/

Twitter @unwin_shelly

Linkedin: https://www.linkedin.com/in/shellyunwin/

 

 

 

 

 

 

 

 

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A Big-Bang Announcement

(Warning – this post may contain silly space puns – I can’t resist)

I am so thrilled to finally announce that my non fiction book Blast Off! has been acquired by Penguin Random House and is scheduled for launch in early 2018. Thank you to my super star agent Alex Adsett for brokering the deal.

shelly-random-contract

Blast Off! as the title suggests is a picture book based on the universally popular theme of Space. It takes the reader on a fact-filled, fun-filled astro romp around the solar system. The reader boards a rocket ship and is taken to visit the eight planets, learning about each planet and what would happen if they were to get too close.

We can’t wait to release this story into the world and hope that it becomes the much loved book of many earthlings for lightyears to come!

 

 

 

 

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In the Room with Aussie Greatness

Gleebooks in Glebe brought together some of Australia’s finest Young Adult Writing talent last night for what turned out to be a very humorous and enjoyable panel discussion.  Melina Marchetta, Erin Gough, Will Kostakis and  Chris Morphew were chaired by Felicity Castagna and discussed a range of topics pertinent to the current YA market.

One of the most striking facts from the evening was a statistic, only 1 out of 10 Young Adult books sold in Australia is from Australia. The majority are bought in from the US and the UK. Will, who has just released his latest novel Sidekicks, commented on how great our Aussie talent is at the moment, particularly some of the contemporary voices. He said he connects to seeing the places he lives being reflected in the work. Melina, who’s work includes The Lumatere Chronicles, thought the statistic to be very sad and believes that the Young Adult novels from Australia have been very strong over the last two years. It would be interesting to know how much the block busters such as John Green’s various titles influence these numbers. It would also be interesting to know how many Australian titles are released by Australian publishers compared to the number of titles they buy in from overseas.

There was a vibrant conversation about the appeal of writing for a YA audience. Chris, who is hilarious (and who’s book, Man in the Shadows, I had to buy because I know I will belly laugh when I read it) said that he loves the YA audience because they are so up for the adventure you want to take them on, they’re open minded readers. Erin added that this audience is all embracing, and to write for them gives you a sense of freedom.

The big conversation of the evening was around covering diversity in text. Both Erin and Will’s books have characters with different sexual orientation. Erin spent about eight years trying to write the great Australian novel, she didn’t want to be pigeonholed as ‘the gay writer’ and have a limited readership. But she has found this not to be the case, people have embraced her book, Flywheel, and they’ve embraced it for more than its lesbian content.

I’ve read and enjoyed work from most of these authors and I now have a handful of new books that I can’t wait to get stuck into. Felicity, who’s own book The Incredible Here and Now received the Prime Minister’s Literature Award, was an eloquent and engaging chair. Thank you for sharing Melina, Erin, Will, Chris and Felicity, and to Gleebooks for pulling such an awesome panel together and hosting such an enjoyable evening.

 

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Truth and Vulnerability

At the Writers Unleashed festival last weekend, I sat bolted to my chair as Trinity Doyle shared with us her insights on dealing with emotions in Young Adult literature.

She highlighted the importance of Truth and Vulnerability in our work. “Nobody is going to connect with ‘I’m fine'” she said. And she’s absolutely right. Teenagers are emotional, hormonal and for the most part melodramatic. Their crushes are all consuming, they fall in love, they fall out of love, they hate, they envy, they need and they need now! So as adults writing for Young Adults it’s important to remember the immediacy of their love, wants and needs, and not let our years of experience, and somewhat tamed hormones influence their reactions. “Let the raw, intense feelings of adolescence flood your work,” Trinity says.

Trinity pointed out that for the most part teenagers are outsiders all trying to fit in to what they see as the social norms. She suggests digging deep into the memory banks and thinking about what made you hurt as a teenager. Connection with readers comes from vulnerability. “Do not undermine the emotions of your characters,” she said.

I sat in awe of the amount of thought she had put into writing the emotions of her characters and can’t wait to read her debut novel Pieces of Sky, “A soaring, uplifting novel about love and loss from an exciting new voice.”

Pieces of Sky

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The inside word from Penguin, Random and Panterra

Saturday was the highlight of the Southerland Shire Writers calendar with the Writers Unleashed Festival providing the opportunity to hear from editors from various publishing houses. The event concluded with the Editor panel where we heard from:

  • Heather Curdie, Children’s at Penguin.
  • Beverley Cousins Adult Fiction Random House.
  • Zoe Walton, Children’s at Random House, and
  • James Read YA and Adult, Pantera Press.

Heather highlighted her tips and recommendations for manuscript submissions. She said that first and foremost she comes to a manuscript as a reader, looking to be engaged and entertained. She follows no firm rules and tries to clear her mind of preconceived ideas. But what it must have is;

  • Quality writing
  • A great voice (must be distinctive and original)
  • Great characterisation (characters must come to life on the page)
  • Compelling plot
  • Engaging first few chapters (for children’s books this is so important, they won’t persevere if they are not pulled into the story in the first couple of chapters)
  • A really satisfying conclusion

She’s currently looking for: Contemporary YA with a strong male protagonist & High quality stand alone Junior Fiction, that’s fun and intelligent.

Beverley spoke about what makes a manuscript publishable.

Things that are taken into consideration when looking at a manuscript they like;

  • Balance of the list – do they need more or less historical fiction at that time, do they already have too many rural fiction pieces on the list etc.
  • Profit potential – is the book commercially viable
  • Publishability of the book.

It is a difficult balance because each book is a work of art, but it needs to make a profit. So there is no easy answer.

She looks for Quality;

  • Well written
  • Compelling story
  • Ability to reach a wide audience

For commercial fiction, here is her advice:

  • Plot is key
  • They like a novel that promotes debate
  • The author has a clear idea of what the novel is about and it is something that a large number of people would want to read about.
  • Don’t go overboard describing everything you have researched.
  • Don’t overload with stage management.
  • Don’t over explain characters emotions.
  • Everything on the page should have a reason for being there and drive the story forward.
  • Make sure it is well edited before submitting.

Zoe used examples of books that they have recently published to highlight what they look for.

Starting with her best selling Rangers Apprentice series. She noted that whilst it was not an original concept John brought a really great sense of humour to his writing which kids love. He uses fantasy without magic which is unusual and makes his characters have to work hard for their success.

Next she looked at Alice Miranda. She said it is Jacqueline that makes these books special, she really understands and engages with her fans, and she works really hard for her books.

Lulu Bell was next, of Belinda she said that she really knows her market and knows what appeals to her readers. She is a great example of write what you know. Belinda’s dad is a vet and so is Lulu Bell’s in her stories.

Samuri verses Ninja, Here the title says it all. It is a high concept book with wide appeal.

Moving on to her Young Adult books she said that what makes a story stand out from the crowd is an original voice.

Are You Seeing Me? She couldn’t stop thinking about the characters in the story after she’d read it, which compelled her to acquire it.

 

James said that Pantera are a boutique press and they like to take on debut authors and nurture them, their writing and their careers. They are VERY unique in the publishing industry in that they pride themselves on a fast turnaround time. Getting back to authors within 3 weeks. Yes 3 weeks!!!! But you do need to follow their submission guidelines very closely.

They consider all types of fiction from Young Adult upwards and they are currently looking for commercial womans fiction. Ideally the next The Devil Wears Prada. Their submission guidelines are on their website https://www.panterapress.com.au/submit-your-manuscript

 

 

 

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Have you got an illustrator? Yessss!!!

It’s the question I have been asked over and over for the last 6 months and been dying to divulge the answer to. I can finally tell the world, with so much excitement, that the brilliantly talented Katherine Battersby, Author/Illustrator of the awesome Squish Rabbit series has agreed to illustrate the series. My fabulous publisher, Anna McFarlane suggested Katherine to me back in May and from that moment my manuscripts took on a whole new life in my imagination. I simply cannot wait to see Katherine’s imaginings for this series.

The series is scheduled for release in May 2017. It feels like a long way off, but given how quickly the last year has gone, I know it will be upon us in no time.

If you’re not familiar with Squish Rabbit, do yourself a favour and hunt out these gorgeous books, you cannot fail to fall in love with Squish!

Squish pics

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The Rise and Rise of Shelly Unwin Part 3

The final interview in the series. We look at the events and associations that helped me achieve my publishing goal.

Just Write For Kids Blog

Today is the last interview with Shelly Unwin in which we look at some of the ‘nuts and bolts’ of her steps to her publishing dream. They include practical advice for anyone who is interested in getting published.

The things that impress me loud and clear from your story, Shelly are:

  1. although these books are only a very recent thing for you to be working on, the process of having written other things over several years (despite rejections and setbacks) helped you bring these ideas together at the right time.
  2. Having good networks and an understanding of the industry also developed over time and brought you into contact with the right people at the right time.Shelly 1.3

You’ve mentioned a few key steps in this process about building up networks and putting yourself in the right place at the right time. Can you comment further on these?

Faber Academy and “Stack…

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