The inside word from Penguin, Random and Panterra

Saturday was the highlight of the Southerland Shire Writers calendar with the Writers Unleashed Festival providing the opportunity to hear from editors from various publishing houses. The event concluded with the Editor panel where we heard from:

  • Heather Curdie, Children’s at Penguin.
  • Beverley Cousins Adult Fiction Random House.
  • Zoe Walton, Children’s at Random House, and
  • James Read YA and Adult, Pantera Press.

Heather highlighted her tips and recommendations for manuscript submissions. She said that first and foremost she comes to a manuscript as a reader, looking to be engaged and entertained. She follows no firm rules and tries to clear her mind of preconceived ideas. But what it must have is;

  • Quality writing
  • A great voice (must be distinctive and original)
  • Great characterisation (characters must come to life on the page)
  • Compelling plot
  • Engaging first few chapters (for children’s books this is so important, they won’t persevere if they are not pulled into the story in the first couple of chapters)
  • A really satisfying conclusion

She’s currently looking for: Contemporary YA with a strong male protagonist & High quality stand alone Junior Fiction, that’s fun and intelligent.

Beverley spoke about what makes a manuscript publishable.

Things that are taken into consideration when looking at a manuscript they like;

  • Balance of the list – do they need more or less historical fiction at that time, do they already have too many rural fiction pieces on the list etc.
  • Profit potential – is the book commercially viable
  • Publishability of the book.

It is a difficult balance because each book is a work of art, but it needs to make a profit. So there is no easy answer.

She looks for Quality;

  • Well written
  • Compelling story
  • Ability to reach a wide audience

For commercial fiction, here is her advice:

  • Plot is key
  • They like a novel that promotes debate
  • The author has a clear idea of what the novel is about and it is something that a large number of people would want to read about.
  • Don’t go overboard describing everything you have researched.
  • Don’t overload with stage management.
  • Don’t over explain characters emotions.
  • Everything on the page should have a reason for being there and drive the story forward.
  • Make sure it is well edited before submitting.

Zoe used examples of books that they have recently published to highlight what they look for.

Starting with her best selling Rangers Apprentice series. She noted that whilst it was not an original concept John brought a really great sense of humour to his writing which kids love. He uses fantasy without magic which is unusual and makes his characters have to work hard for their success.

Next she looked at Alice Miranda. She said it is Jacqueline that makes these books special, she really understands and engages with her fans, and she works really hard for her books.

Lulu Bell was next, of Belinda she said that she really knows her market and knows what appeals to her readers. She is a great example of write what you know. Belinda’s dad is a vet and so is Lulu Bell’s in her stories.

Samuri verses Ninja, Here the title says it all. It is a high concept book with wide appeal.

Moving on to her Young Adult books she said that what makes a story stand out from the crowd is an original voice.

Are You Seeing Me? She couldn’t stop thinking about the characters in the story after she’d read it, which compelled her to acquire it.

 

James said that Pantera are a boutique press and they like to take on debut authors and nurture them, their writing and their careers. They are VERY unique in the publishing industry in that they pride themselves on a fast turnaround time. Getting back to authors within 3 weeks. Yes 3 weeks!!!! But you do need to follow their submission guidelines very closely.

They consider all types of fiction from Young Adult upwards and they are currently looking for commercial womans fiction. Ideally the next The Devil Wears Prada. Their submission guidelines are on their website https://www.panterapress.com.au/submit-your-manuscript

 

 

 

Have you got an illustrator? Yessss!!!

It’s the question I have been asked over and over for the last 6 months and been dying to divulge the answer to. I can finally tell the world, with so much excitement, that the brilliantly talented Katherine Battersby, Author/Illustrator of the awesome Squish Rabbit series has agreed to illustrate the series. My fabulous publisher, Anna McFarlane suggested Katherine to me back in May and from that moment my manuscripts took on a whole new life in my imagination. I simply cannot wait to see Katherine’s imaginings for this series.

The series is scheduled for release in May 2017. It feels like a long way off, but given how quickly the last year has gone, I know it will be upon us in no time.

If you’re not familiar with Squish Rabbit, do yourself a favour and hunt out these gorgeous books, you cannot fail to fall in love with Squish!

Squish pics

The Rise and Rise of Shelly Unwin Part 3

The final interview in the series. We look at the events and associations that helped me achieve my publishing goal.

Just Write For Kids Blog

Today is the last interview with Shelly Unwin in which we look at some of the ‘nuts and bolts’ of her steps to her publishing dream. They include practical advice for anyone who is interested in getting published.

The things that impress me loud and clear from your story, Shelly are:

  1. although these books are only a very recent thing for you to be working on, the process of having written other things over several years (despite rejections and setbacks) helped you bring these ideas together at the right time.
  2. Having good networks and an understanding of the industry also developed over time and brought you into contact with the right people at the right time.Shelly 1.3

You’ve mentioned a few key steps in this process about building up networks and putting yourself in the right place at the right time. Can you comment further on these?

Faber Academy and “Stack…

View original post 922 more words

The Rise and Rise of Shelly Unwin Part 2

Here is part two of my Just Write For Kids interview. It includes why I signed with my literary agent Alex Adsett and also how I chose Allen & Unwin as the home for my upcoming Picture Book Series.

Source: The Rise and Rise of Shelly Unwin Part 2

The Rise and Rise of Shelly Unwin Part 2

shelly unwin jwfkzoo shelly unwin

Today is Part 2 of my interview with Shelly Unwin – newly signed author. For part 1 go here

(I’ve highlighted some themes to pick up on at a later date)

So Shelly, you had an editor interested from the Sutherland Shire Writer’s Festival editor consultation, and you had sent the manuscript to an editor you had met at a SCBWI conference. What happened then?

With an interested editor the pressure was on to really polish the other four first drafts. My critique group was fantastic, agreeing to give me email feedback as I worked, as well as face to face during our meetings. The other four manuscripts were also very compliant and came together very willingly. The publisher from the Southerland festival was excited by the two manuscripts and asked for the other three.

I was also booked in to the Literary Speed Dating event through the ASA on the 15th November and I wanted to have five polished manuscripts by then. I pitched the series to two publishers at this event and both were keen to see the full series. I also pitched it to (my now) agent Alex Adsett, who could see the commercial potential of the series and after some additional dialogue agreed to represent me. In the mean time I was also doing a course at the Faber Academy for my Young Adult novel, and I was asking my tutor for advice on signing with Alex. My tutor asked me about the series I was discussing with Alex and then asked if she would be able to pass the series on to the Children’s Publisher there at Allen & Unwin – of course I said yes. So it was now in the hands of five publishers, all of whom were showing an interest.

Wow! Five interested publishers how exciting! But with five interested publishers why did you feel you needed an agent?

Having it in the hands of five publishers was a dream come true, in fact it was beyond what I’d ever let myself dream. But I was suddenly dreading the phone ringing. What did I do when one of them made an offer? If more than one house made an offer how would I manage that process without upsetting anyone? The fear of the next stage was taking the shine off what was otherwise an incredibly exciting situation. So an agent really was the answer. Alex has great industry knowledge, and specializes in contract negotiations so she was the perfect agent to provide me with unbiased, commercial guidance.  So at this point I really handed the reigns over to Alex. Once the first offer came through, which was fantastic, Alex gave the other four publishers a week to respond. By the end of the week we had two publishers who had put offers on the table, and the exciting decision process started there.

How did you decide who to go with? That couldn’t have been easy?

It wasn’t! Both offers were from incredible publishing houses. I would have been happy to sign either contract the minute it arrived on the doorstep. That’s where Alex really helped. We discussed both of the offers in great detail and really worked through what was important to me. I then had a meeting with both publishers to get an understanding of what they were hoping to achieve with the books and how they envisaged them looking and feeling. Allen & Unwin were so aligned with my thoughts, but not only my thoughts, also with my enthusiasm and ambition for the books. I also met with the CEO there, who had read my blog!! And who told me how excited he was by my work, I walked away from the meeting buzzing! And slightly apprehensive about writing my next blog piece – the pressure was on! Alex then led the contract discussions, and walked me through the complexities of world rights, film rights, discount sales percentages etc – all of which were new to me. And from there it was done. Allen & Unwin was home to the series and it feels so right. Should I point out here that although my surname is Unwin, I am no relation!

You may not be a relation, but it’s a great fit with your name! Do you have an illustrator signed?

No illustrator signed just yet, but some very exciting conversations in progress. I’ll tell you as soon as I can!

So now you just twiddle your thumbs until the books come out?

Yes, I might head off to an exotic island and relax for a year or so 🙂

No. I have another picture book that is looking very promising and I am also working on a new manuscript that I am totally buzzing about. Plus I have atonne of manuscripts that I have been working on over the last few years that I continue to tweak. I have also written a Young Adult novel that is currently going through the re-writing, re-writing, re-writing phase, and one day it might be ready to leave the nest. I will continue to take courses, network, critique and do all things writerly in the mean time – it’s all so much fun!

 

I appreciate Shelly’s willingness to be interviewed for this blog – we may still be able to squeeze another post out of her experiences next month!

By Debra Tidball September 4015

For Shelly’s website: http://shellyunwin.com

For Debra’s website: http://www.debratidball.com

Practice Makes Perfect

A great article recognising that all the (extra) writing you do as a writer helps to build your skills.

Just Write For Kids Blog

In my last post interview with Shelly Unwin, she said: If I’d had the same idea three years earlier though, my execution wouldn’t have been anywhere near where it was when this idea formed. I had taken time to learn the craft and really understand how to structure a picture book and really speak to the child. So I was in a prime position to take the idea and write it well.                            

The idea that the more you write, the better you get is an idea that has been intriguing me over the last little while, so much so that I wrote a post on it over on my website. I especially love the quote from a book called Art and Fear by David Bayles and Ted Orland, “You make good work by (among other things) making lots of work that isn’t very good.” Not that…

View original post 285 more words

CBCA Statistics

Very interesting read about the CBCA entry statistics.

Just Write For Kids Blog

Book Week is amongst us and there are schools around Australia enthralled with the Children’s Book Council of Australia awards books.

Last Friday while we were  congratulating the winners, some Australian authors, illustrators and publishers were planning their book for the next year’s awards.

After attending Jane Parsons’ presentation and writing the article, ‘Judging the Judges’ I was left with some fascinating statistics which I thought I would share.

The Books

CBCA                  Entries for 2015

Early Childhood             59

Picture Books             122

Younger Readers       128

Older Readers             77

Eve Pownall                  48

Not eligible                       2

Total entries                   434

Or if you prefer a pie chart

cbca 1

The Publishers

Publishers, authors and illustrators to enter the CBCA awards need to pay an  entry fee of $100 plus copies of the book for each of the judges. It has been good to see an increase in self-published books. Although I am not a self-published author, I love the…

View original post 502 more words

The rise and rise of Shelly Unwin – newly signed author – Part 1

My first authorly interview. One to keep for the kids! Thank you Debra for the warm introduction and the great questions.

Just Write For Kids Blog

I first met Shelly Unwin at a CBCA event a few years ago, and gradually got to know her as we bumped into each other at regular meetings and events.  She is warm, open and encouraging with an English accent I could listen to all day. I’ve heard Shelly talk about a manuscript that came ‘so close’ to being picked up, only to be let down; I’ve thrown around ideas with her about a young adult novel; I’ve chatted with her at book launches celebrating colleagues’ success when it has seemed to allude her. And now here she is having signed the Holy Grail – a contract for 5 picture books, with a major publisher, to be released as a package hopefully next year. It is such a pleasure to be able to now celebrate her achievements and hear her story. There is so much in Shelly’s story to offer…

View original post 626 more words

Lothian looking for Junior Fiction

It is always good to get an insiders view on the publishing industry and this morning was no exception, with the delightful Suzanne O’Sullivan from Lothian sharing her thoughts at the NSW Writers’ Centre, First Friday Club.

Suzanne confirmed that with blockbuster titles from the likes of John Green helping the market along, children’s book sales continue to be very healthy. And the area of the children’s publishing market that Lothian are keen to see more strong submissions in, is Junior Fiction. Series books for 6-9 year olds, with an approximate word count of 15,000-20,00 words. Suzanne is also always on the look out for great picture books.

However getting your work in front of Suzanne is no mean feat, as she only accepts agented submissions, or submissions following on from consultations at conferences or literary speed dating.

But if you are lucky enough to make it into her pile of submitted manuscripts, these are her tips for how to stand out:

  • Have a really clear sense of the market, “this book fits into this trend,” or “this book fills this gap,” (but be careful that the gap really is a gap in the market and not a gap in your knowledge of the market!)
  • Really hone your writing. Make sure it is fully workshopped and edited before you send it.
  • Let your writing be the star, regardless of your other successes the writing needs to speak for itself.

And what themes is she looking for?

  • Humour, she loves a story that makes her laugh, but the humour must be supported by a good story with heart.
  • Friendship, friendship themes are always very popular in junior fiction.
  • Adventure based stories.

So according to Suzanne, what can writers be doing to help them achieve publication?

  • Be active on social media.
  • Be active in writers groups and attending conferences etc
  • Show a willingness to get out there and promote yourself.

Suzanne also mentioned a preference for authors who have a body of work targeting one area of the children’s market, so that they can build a strong readership and utilise this readership for the authors other books.

And there is a small glimmer of hope if you are not lined up to attend a conference or event where Suzanne is meeting writers- Lothian are currently thinking about opening up submissions for one genre at a time, probably early next year, so make sure you follow Suzanne on Twitter @Suzanne_OS and keep your eye on the Hachette website http://www.hachettechildrens.com.au

Happy writing everyone!

 

Signed, Sealed and so excited!

Finally I can announce my exciting news!

I have been offered and accepted a publishing contract for a five book picture book series with Allen & Unwin. It is a dream come true. I couldn’t be happier and I couldn’t have found a more passionate, consultative or engaged publisher for this series. I am beyond excited. I can’t say much about the series, other than that it is aimed at 1-5 year olds and at this stage we are hoping to release all five books at the same time. I will be able to give you more details closer to the release date.

But for now I have taken down the affirmation poster that has been on the door of my tea cupboard for the last two years!

affirmation poster

Because I have indeed just signed A Great Publishing Deal!  I’m still pinching myself.  I wanted to share my news with all of the friends, old and new, that have supported me along the way. And I wanted to say a huge thank you, particularly to my critique group, Picture This, for your invaluable help and insight, to my family for your belief and support and to my agent Alex Adsett for helping to pull everything together and coach me through a nerve wracking decision process.  Yippeee!!!

 

The Next Generation of Authors

As I sat at my computer today reading the work of the Year Five and Year Six children that were selected for the Writing Masterclass at my local Public School last week I was blown away. Some of these kids have an astounding amount of talent. In some of the stories I read (all capped at a 600 word limit and with the guidelines of being based around a 10-12 year old protagonist who suddenly finds themselves in another country) I found myself swept away by brilliantly crafted images, strong story lines and authentic dialogue.

It is a wonderful experience to see the plot lines and characters that are oozing from our next generation of authors. In some it is possible to see influence of currently popular middle grade books, and in some the influence of current affairs and the media. Some follow the traditional spy book format and others find something that feels new and unchartered. In each case there was a glimpse of something special and it was a privilege to work with such gifted children.